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Rewritten Alterations is an ongoing, always adapting, self-regulatory performance. Abandoning that which is outside of itself, the work instead deploys self-referentiality, mistakes, deviations and abductive logic.

As opposed to verifying the multiple limitations that this presents, various sonic phenomena are used as an outsourcing opportunity that promises to fulfill what otherwise couldn’t be achieved. In regulating the work solely based on the piece itself there’s a longing yet mistaken idea of eventual saturation.

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